Finally! Finished pics of the Grandpa cardigan. I started knitting this in August as part of a knit-along with my friend, Abby. I’m pretty worn out on lightweight, fitted cardigans, but I’m really liking heavier-weight cardigans that almost more like jackets. I made the Girl Friday cardigan a few years ago, which is pretty similar in style, and I’ve been wearing it a lot over the last year. So I think the Grandpa cardigan will fit into my closet nicely. I used Cascade 220 in Atlantic. The pattern calls for a DK weight yarn, but I like the way this knit up in a worsted weight. The fabric isn’t too dense and the cables have great definition.
Before I get into detailing all of my fit modifications, I just want to say that this is a really excellent pattern. This sweater can be a bit challenging–there are a lot of different details to manage at once–but I think the pattern in written in such a way that makes tackling everything that you need to do as clear and as manageable as possible. As long as you’re keeping track of the numbers and charts that are relevant to your size, I think it’s pretty easy to stay on top of where you need to be.
I think this pattern also has some really great design details. I like that the cable pattern is specific to each size and that the ribbing on the collar, sleeves, and hem is all finished with a tubular bind-off. I don’t think I’ve used a tubular bind-off before, and even though it’s a bit to work around the length of the collar, the result is really nice. (I found this tutorial from Interweave especially helpful when I was working the bind off.) I’ve also previously tried a pattern with a seamless, set-in sleeve like this pattern uses and ended up with a sleeve that looked really weird and baggy. I’ve seen other people get similar results with this construction method so I was a bit hesitant, but I think the sleeves on this cardigan look really good and have yet to see another project where someone had something funky going on with their sleeves.
My upper torso, full bust, and hip measurements all fall into three different sizes, which I usually manage with bust darts and a lot of waist shaping using methods that wouldn’t work with this particular pattern. To work around this, I started with the 42-44” size for the upper torso, and then added extra stitches for the bust by following the neckline instructions for the largest size. This made the sweater ~46” around the fullest part of my bust. Then I added more room at the hip by working 4 extra sets of increases at the waist shaping.
The armscye seemed a bit shallow to me, so I added 1/2” before starting the armhole shaping. I made the sleeves 2” shorter than the pattern called for and added a couple of extra buttons. After I finished the sweater at the end of the September, I realized it was looking a bit short and hitting me at kind of a weird place. So I ripped out the collar and button band and ripped out the ribbing at the bottom so that I could add another 2” of length in the body. I’m much happier with the longer length—I think it works well with the style of the sweater.
Adding the extra length used up the extra ball of “just in case” yarn I ordered for this project. If I hadn’t used it to lengthen the body, I probably would have gone back and made the button band significantly wider. The shawl collar is a bit shallow and sometimes wants to flip up, but I could also use a little bit of extra width on the body. The cables pull in enough that make this feel pretty snug even though it’s knit to the measurements I typically knit to. The pattern recommends 1-2” of ease, which I ignored because I typically knit sweaters with zero ease or just a bit of negative ease, but I wish I had added more ease through the body to counteract the behavior of the cables. If I were to knit this again, I’d also lower the back neckline by about an inch.
Making this pattern was the most fun I’ve had knitting in quite awhile. I highly recommend it, and I’m looking forward to trying more Joji Locatelli patterns in the future. There’s really a glut of knitting patterns available right now, but I Joji is one of the designers that always stands out to me (Ysolda Teague and all of the regular contributors to Brooklyn Tweed tend to be my other favorites). Not everything she designs is something I would wear, but I really appreciate the originality of her work and the fact that she’s coming up with more challenging designs that make use of a variety of construction methods and techniques. Maybe I’ll have to try Even Flow next?