It turns out I was just kidding when I suggested that I wouldn’t sew again until my dissertation was done. I had thought about having Aidan take my sewing machine with him when he left for Cincinnati, but I decided against it at the last minute. And then as soon as he was gone and I had no one around to entertain me, I started sewing in little bits of time while taking a break from work. This is first thing I managed to finish—the Faded Stripes Top from Ottobre Woman 02/2015. The main fabric is a rayon/Spandex jersey from Fabric.com and the bindings are a rayon/Spandex ribbing from Girl Charlee. I rarely find prints that that I’m interested in wearing–I don’t want anything that is too bright, too busy, or too feminine. So even though this fox print is verging on hipster nonsense, I liked it enough to spring for a yard’s worth. I think this shirt is now the coolest piece of clothing I own. (Although, to be fair, I am extremely thin on clothing at the moment, so the bar isn’t very high.)
I started subscribing to Ottobre Woman last summer and have three issues, but this is the first Ottobre project I’ve actually made. The two things people always note as a word of caution about Ottobre patterns is that 1) they come with the crazy, color-coded pull-out sheets that you have trace your pattern pieces from and 2) the instructions are on the spare side. I didn’t find either of these things a problem, but this is also a really simple pattern with only 3 pattern pieces plus bindings. I mean, you could easily figure out how to put this shirt together just by looking at the line drawing.
My one quibble with the instructions has to do with the binding around the sleeves and neckline. The instructions tell you that for binding fabric with 40-50% stretch, you should cut the binding strips at 70% of the length of the opening you are binding. Now, when I read that, I thought it seemed way too short for binding. But my ribbing has ~60% stretch, so I followed the instructions anyway and sewed the first strip of binding to the first sleeve and it was, indeed, way too short—the entire sleeve opening was gathered. I went back and recut binding strips at 85% of the length of the opening (Ottobre’s recommended length for binding fabrics with 20-30% stretch) and that worked much better. But it also makes me think that if you had a fabric with significantly less stretch, you’d probably want to cut the bindings just a tiny bit smaller than the opening. Anyway. Lesson learned.
My high bust measurement puts me in a size 46 on the Ottobre chart, but since the style of this shirt is more relaxed through the shoulders, I just traced a straight 48 to give me a bit more room at the bust to start with. I did a 1” FBA, and rotated most of the dart to the hem to give me a bit more room at the hips. I eased the rest of the dart into the side seam at the bust level. I’m relatively happy with the fit, although I did have an issue with the back neckline drooping and collapsing on itself. I remember seeing a tip from Debbie at Stitches and Seams for dealing with drooping knit necklines by running some elastic thread through the stitching line at the back of the neck to tighten it up. It took me about 5 minutes to do, and it worked out perfectly. When the shirt is laid flat, you can see some rippling at the back of the neck from where the elastic is, but it lays flat when I wear it.
And finally, not to belabor a post about a very simple t-shirt, but I did end up using a twin needle to top-stitch the binding and sew the hem. It’s the first time I pulled out the twin needle since I swore them off a few months ago, and it wasn’t so painful this time, primarily because I saw this post from Pandora Sews Plus Size Clothes. I was already doing most of what she recommended, but she had one tip in particular about threading a twin needle where she explained that you aren’t supposed to hook the thread going into the right needle over the bar in front of the needle. This one little trick—not catching the second thread through the bar above the needle—made a huge difference and resolved almost all of the problems I was having with thread tension and skipped stitches. So, I have tentatively invited the twin needle back into my life, although I still maintain that people tend to oversell its virtues and ease of use. The twin needling around the binding worked out much better than the twin needling at the hem—it’s almost like the twin needle responded better to sewing through a more substantial thickness of fabric? I’m going to see how it wears, but I might actually end up redoing the hem using a narrower twin needle. We’ll see. At the very least, I’m glad to have stumbled across the first tip that has made a serious difference for using a twin needle on my current machine.